{"title":"アーティストブック Artist's Book","description":"\u003cp\u003eアーティスト自身が本の形そのものを作品として手がけた「アーティストブック」を集めた特集です。\u003c\/p\u003e","products":[{"product_id":"new-books-stationary-stationery","title":"Stationary Stationery | A Study of Stillness","description":"\u003cp\u003eOn the desk, stationery stands quietly. In the frame, the objects hold still in the instant just before falling, existing as if suspended in mid-air. The quality of \"stationary\" inherent to stationery stretches out a single pause (ma) — a frozen paradox born in the moment one holds one's breath, a fragment of time drawn out.\u003c\/p\u003e\n\u003cp\u003eThe stationery used in offices is often white, transparent and reflective — or slender and portable. These reticent objects dissolve the gaze as if practising \"becoming invisible\", and blur the focus of the lens. For them the table is both a temporary stage and an everyday home. As the camera draws closer, the flow of time quietly rises out of the ambiguity, and a performance of stillness begins.\u003c\/p\u003e\n\u003cp\u003eAs the first publication in collaboration with Surfacing Press, Stationary Stationery was published in September 2025. It was designed by the Singaporean designer duo gideon-jamie.\u003c\/p\u003e\n\u003cp\u003ePublisher: Kokiriyama\u003cbr\u003ePublication year: 2025\u003cbr\u003eDimensions: 340 × 280 mm\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 1.5em; padding: 0.85em 0; border-top: 1px solid #d8d2c8; border-bottom: 1px solid #d8d2c8;\"\u003e\n\u003cp style=\"margin: 0; font-size: 0.92em;\"\u003e\u003ca href=\"https:\/\/kokiriyama.com\/pages\/interview-xu-ke\"\u003eInterview: A Monument to Stationery \/ KE XU\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size:12px;color:#999;\"\u003eStationary Stationery \/ Stationery Design \/ Paper Goods\u003c\/span\u003e\u003c\/p\u003e","brand":"小霧山 kokiriyama ","offers":[{"title":"Default Title","offer_id":51849988636948,"sku":"KKY-ART-056","price":5060.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/2738\/4852\/files\/372E61C2-4500-4B08-A182-1166AF21C5CF.webp?v=1767856542"},{"product_id":"w-s-n","title":"wû sín 有神 | Photography by Lin Shu","description":"\u003cp\u003eFaith within everyday life stands apart from the layered meanings and historical frameworks that scholars tend to emphasise. It is concrete and fragmentary, diverse in its forms, and though it has rules of its own making, it is often loose in principle. In the hometown of photographer Lin Shu, the desire for faith has long been deeply woven into the rhythms of daily activities such as eating, drinking and sleeping. Though seemingly entirely ordinary practices, with an elevation of spirit that is hard to put into words and a faint mysteriousness, they tint ordinary time with a distinctive undertone.\u003c\/p\u003e\n\u003cp\u003eFrom 2020 onwards, Lin Shu took up his camera and turned his gaze back to his hometown, Fujian. In this period of repeated uncertainty and unexpected interruption, he let go of preconceptions and plans and faced his subjects through direct photographic expression. In the instant of releasing the shutter he captures moments already passing, taking on the act of looking back at the past as self-reflection in the present. For him, who had long been away from his hometown and once wished to escape it, home now appears as something without fixed contours. From the small deity images quietly enshrined in a dim little shrine on a mountaintop, which as a child he could not look at directly, he senses an expanse beyond cognition. And through the character of Fujian folk belief — \"people and gods live together, and spirits dwell in all things\" — he comes to know anew that his hometown has quietly shaped him.\u003c\/p\u003e\n\u003cp\u003eThe book's editor, Yida, is also from Fujian and shares the same background as Lin Shu. She turns her attention to the dialect the two have in common. It is an old language still alive in people's spiritual lives — in the singing of folk songs and in the rituals of folk belief — and it retains a vigorous vitality. Selected words and sentences are inserted between the photographs without directly corresponding in meaning. Even so, the two quietly resonate with each other on a deeper level.\u003c\/p\u003e\n\u003cp\u003ePublisher: Yanshu 鼴書\u003cbr\u003ePublication year: 2025\u003cbr\u003eDimensions: 500 × 365 mm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size:12px;color:#999;\"\u003eWu Sin \/ Contemporary Art \/ Art Monograph\u003c\/span\u003e\u003c\/p\u003e","brand":"小霧山 kokiriyama ","offers":[{"title":"Default Title","offer_id":51850005840148,"sku":"KKY-ART-057","price":4400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/2738\/4852\/files\/439C00E5-50B2-4327-8C94-B76E5EC37548.webp?v=1767856963"},{"product_id":"ras-art-book","title":"R.A.S | Feng Shan","description":"\u003cp\u003eR.A.S is a self-published artist's book. It grew out of Perhaps Some Verses, a series of drawings that artist Feng Shan made during an artist residency in Paris.\u003c\/p\u003e\n\u003cp\u003eBecause Feng Shan could not read French, she imagined the words written on the streets to be like beautiful sentences. In reality, however, they were markings for roadworks — notes that workers had written temporarily on the ground. They apparently recorded things such as the numbers of the cement used in the works. In other words, it was a beautiful misunderstanding. She drew these letters together with the puddles and fallen leaves on the streets of Paris.\u003c\/p\u003e\n\u003cp\u003eWhen Feng Shan introduced this work, she said, \"Walking the streets of Paris and seeing one handwritten French word after another, the walk itself felt like reading a poem.\" So it was decided to turn these drawings into a book that looks like a collection of poems. As you turn the pages, it looks as if you are reading a poem line by line. And when the whole book is unfolded, it becomes one long poem. On the reverse side are images of the ground of Paris, expressing the Paris she felt.\u003c\/p\u003e\n\u003cp\u003eThe book's title, R.A.S, comes from the abbreviation of a phrase she saw again and again in the streets of France. At first she did not know what it meant, but as she looked into it she learned that it means \"Rien à signaler\" (nothing to report; by extension, \"all clear\"). She became deeply interested in the nuance of the phrase and adopted it as the title of this book.\u003c\/p\u003e\n\u003cp\u003ePublisher: Surfacing Press\u003cbr\u003ePublication year: 2026\u003cbr\u003eDimensions: 247 × 97 × 10 mm\u003cbr\u003eLanguage: English\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size:12px;color:#999;\"\u003eFeng Shan \/ Contemporary Art \/ Art Monograph\u003c\/span\u003e\u003c\/p\u003e","brand":"小霧山 kokiriyama ","offers":[{"title":"Default Title","offer_id":52796551299348,"sku":"KKY-ART-065","price":3800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/2738\/4852\/files\/RAS-1.webp?v=1783857237"}],"url":"https:\/\/kokiriyama.com\/en\/collections\/artists-book.oembed","provider":"小霧山 kokiriyama ","version":"1.0","type":"link"}